Our main body for interviews and narrative work, autofocus that tracks a moving subject better than we need it to.

Covers a full day of coverage, wide shots to tight portraits, without swapping lenses.

The body we bring out when a client is watching every frame on a big screen.

Our colour-accent light whenever a scene needs more than plain white.

Straps to whoever is moving fastest on set so the main camera stays safe.

Small enough to fly indoors and still worth putting in a final cut.

Gets us through doorways and down hallways a gimbal never could.

Wraps around the lens and kills harsh shadows on a run-and-gun interview.

Keeps handheld shots steady when we are moving through a space, not locked off on a tripod.