Our main body for interviews and narrative work, autofocus that tracks a moving subject better than we need it to. The dual card slots back…

Covers a full day of coverage, wide shots to tight portraits, without swapping lenses. The constant f2.8 holds up in low light without…

The body we bring out when a client is watching every frame on a big screen. Dual base ISO means we're not fighting noise the moment a…

Our colour-accent light whenever a scene needs more than plain white. Full RGB control from the app means we can dial in a colour on set…

Straps to whoever is moving fastest on set so the main camera stays safe. It's waterproof without needing a housing, and the magnetic mount…

Small enough to fly indoors and still worth putting in a final cut. The 1-inch sensor means it doesn't fall apart the moment the light…

Gets us through doorways and down hallways a gimbal never could. The ducted props mean we can fly it close to people and walls without the…

Wraps around the lens and kills harsh shadows on a run-and-gun interview. It sets up in the time it takes to get a subject seated, no flags…

Keeps handheld shots steady when we are moving through a space, not locked off on a tripod. Balancing a new lens takes a couple of minutes…