EP. 03
Upcoming
Japan
Old-school Japanese motorcycles, choppers to muscle bikes: gear worn in by real riders, not styled for a shoot.
The Content.

Theme.
The look we’re after is Japan in the 70s and 80s. Air-cooled engines, worn leather, neon on wet tarmac, and the kind of shopfront signage that’s been on the same wall for forty years.
Most of that is still around, it just sits further out from the stations and the main streets. There are kissaten still pouring the same coffee they did then, garages still building the same bikes, and whole streets nobody has smartened up for visitors. We’ll be shooting it warm and low, with grain rather than polish, so the footage feels like it belongs to the period instead of being a modern travel video about it.
Objective.
There are four of us going: two videographers, a photographer and a model. All four of us ride, so there’s no support van and nobody waiting at the next stop, and everything we shoot with travels on the bikes.
We’re renting bikes in Tokyo and riding out from there for two weeks. Most of the time goes on the parts of towns people pass through rather than stop in, garages without a sign out front, and places where we’re the only ones who don’t live there. If somewhere takes a bit of effort to get to, that’s usually a good sign it’s worth filming.
Some of what comes back is the polished side of that and some of it isn’t. Four people on four bikes for two weeks in a country where none of us can read the road signs tends to write its own comedy, and we’d rather keep that in than cut around it. That’s the footage people tend to watch to the end, and it’s usually where a product looks most believable.
If you come along, your product travels the way ours does. ALPAKA’s bags are carrying our camera kit for the full two weeks, so by the time one turns up on camera it’s covered in road and strapped to a tank at six in the morning. If you can picture your own gear being used like that for a fortnight, that’s more or less what a slot on the trip looks like.
Moodboard.
Hello.
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